I made the long panel of Alina by stitching a few different frames together. It's a tracking shot that starts at her feet and moves up along her body until it gets to her face. This was difficult, because the camera is so close to her that the perspective changes noticeably when something on the right side of the frame moves to the left. So her bodily proportions are a little off.

The other weird thing is that the rings around her pass through the frame at a different speed, because the near part of the rings are closer to the camera than she is. The end result is that the ring around her hips (see the close-up of her hand four frames later) is missing entirely -- although it is still casting a shadow over her body.